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Harmonic Analysis
Live Performance
Markov Process
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Performance Following: Real-Time Prediction of Musical Sequences Without a Score
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Performance Following: Real-Time Prediction of Musical Sequences Without a Score
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Adam M. Stark
,
Mark D. Plumbley
This paper introduces a technique for predicting har- monic sequences in a musical performance for which no score is available, using real-time audio signals. Recent short-term infor- mationisalignedwithlongerterminformation,contextualizingthe presentwithinthepast,allowingpredictionsaboutthefutureofthe performance to be made. Using a mid-level representation in the form of beat-synchronous harmonic sequences, we reduce the size of the information needed to represent the performance. This al- lows the implementation of real-time performance following in
live performance
situations. We conduct an objective evaluation on a database of rock, pop, and folk music. Our results show that we are able to predict a large majority of repeated harmonic content with no
prior knowledge
in the form of a score.
Published in 2012.
DOI:
10.1109/TASL.2011.2159593
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References
(40)
B-Keeper: a beat-tracker for live performance
(
Citations: 12
)
Andrew Robertson
,
Mark Plumbley
Published in 2007.
Score Following: State of the Art and New Developments
(
Citations: 43
)
Nicola Orio
,
Serge Lemouton
,
Diemo Schwarz
,
Norbert Schnell
Conference:
New Interfaces for Musical Expression - NIME
, pp. 36-41, 2003
Comparison of musical sequences
(
Citations: 156
)
Marcel Mongeau
,
David Sankoff
Journal:
Computers and The Humanities - COMPUT HUM
, vol. 24, no. 3, pp. 161-175, 1990
Following a musical performance from a partially specified score
(
Citations: 7
)
Bryan Pardo
,
William P. Birmingham
Published in 2001.
Polyphonic Audio Matching for Score Following and Intelligent Audio Editors
(
Citations: 34
)
Roger B. Dannenberg
,
Ning Hu