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...a computational model of human emotional entrainment. music, as a non-verbal language to express emotions, is chosen as an ideal...asked to play, alone or in duo, a music fragment in two different perceptual feedback modalities and in four different emotional states. we focused our attention...
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...are we able to walk in silence with someone familiar and
be sharing a peaceful space? all of these aspects are part of human ‘interaction’. in designing interactive technologies designers
have...are brought together, and considered in light of the developments in interactive technology, in order
to shape a conceptual framework for understanding entrainment in everyday human interaction....
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...the perception of structural and emotional information in musical performance. the thirty musically trained subjects saw, heard, or both saw and heard the performance. all subjects made the same...judgment of tension, which targeted emotional experience. new statistical techniques in the field of functional data analysis (13) can exam- ine data collected from continuous processes...
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music performance is an important, well-structured...fruitful approach to this problem. in order to evaluate this approach, we programmed a humanoid robot, nico, to play a drum in concert with human drummers and...
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...is concerned with synchronization (or entrainment), and in particular on emotional synchronization, which is likely to...processes. we focus on ensemble musical performance, an ideal test-bed for the development of models and techniques for measuring creative social interaction in an ecologically valid framework. ongoing...
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...of schematization that are involved in musical listening. the central role of active engagement with the auditory environment in eliciting emotional responses to music is then sketched out, and...attentional and motoric processes involved in processes of entrainment - focal in the experience of musical time - are outlined. neuroscientific evidence...
Published in 2009.
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...which may be attributable to entrainment of respiration to the rhythm or the tempo rather than to emotions [etzel, j.a., johnsen, e...cannot be explained solely by entrainment to tempo and rhythm. the tempo entrainment exists in the tempo alone condition but...
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...look at how “emotional affordances” in music are exploited to construct and regulate emotions. i summon empirical
research on neonate music therapy to argue that this...then look at
“social affordances” in music, arguing that joint attention to social affordances in music alters how music is both perceived
and appropriated...
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...review of previous research projects in this area at our centre are presented, to
introduce the main issues discussed in the paper. in particular, a case study based on novel paradigms of social active music
listening is presented. active music listening experience enables users to dynamically mould expressive performance of music
and of audiovisual content. this...
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music is used to induce moods in experimental settings as well as...difference may be attributable to entrainment of respiration to characteristics of the music which varied between the stimuli. our findings point to the difficulty in detecting psychophysiological correlates of mood...